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- <text id=92TT0734>
- <title>
- Apr. 06, 1992: Reborn, and Running Again
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Apr. 06, 1992 The Real Power of Vitamins
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSIC, Page 64
- Reborn, and Running Again
- </hdr><body>
- <p>After more than four years, Bruce Springsteen releases a pair of
- spellbinding albums, mostly about love
- </p>
- <p>By Jay Cocks
- </p>
- <p> These are two wonderful records about the light at the
- end of the tunnel of love. Forget all you have heard and read
- since Bruce Springsteen's two advance singles were released
- three weeks ago--unless, of course, you listened to the songs,
- in which case you could ignore all the Charley Inside show-biz
- reporting about how radio stations were a little skeptical and
- record stores a little uncertain, and was Bruce, at 42, a
- family man with two kids, a little too settled and a little too
- wealthy and a little too out of touch to burn the house down?
- </p>
- <p> Well, the house is on fire. The singles sang for
- themselves: the plaintiveness of Human Touch; the explosive
- emotional release of Better Days, one of the best tunes
- Springsteen has ever written. The albums--Human Touch and
- Lucky Town--are a twin testament to the power of redemptive
- love, to the resilience of Springsteen's gifts and to the
- restless spirit.
- </p>
- <p> His last album, Tunnel of Love, was released 4 1/2 years
- ago. The final record made with the E Street Band, it was like
- an unstanched wound. The songs were usually interpreted as a
- reflection of his considerable personal turmoil. Human Touch and
- Lucky Town, as the titles suggest, are about putting smashed
- pieces together, about measuring loss and transcending it.
- Whatever he staked on these records, he's got it back on one
- Roll of the Dice.
- </p>
- <p> That tune comes midpoint on Human Touch and catches
- Springsteen in full cry as a "thief in the house of love," doing
- one of those 40-megaton rave-ups that can bring stadium crowds
- to their feet. Human Touch was the first of the two albums to
- be completed, and, with the backing of some heavy-duty Los
- Angeles session players and such soulful voices as Bobby King
- and Sam Moore, it has a real diamond-cut luster and precision.
- It also has plenty of nerve. Two tunes, Man's Job and Real Man,
- trash all the stereotypes of rock lyrics ("Now if you're lookin'
- for a hero, someone to save the day,/ Well, darlin', my feet
- they're made of clay") and present love--looking for it,
- nurturing it, keeping it--as the real man's job.
- </p>
- <p> While Springsteen was trying to decide whether his Human
- Touch album was actually finished, he returned to the studio and
- emerged, only about eight weeks later, with the 10 songs on
- Lucky Town. The sound is somewhat sparer here, the lyrics
- rougher around the edges and maybe even better for that. Better
- Days, which kicks the record off, has already attracted some
- comment for the lines, "Now a life of leisure and a pirate's
- treasure don't make much for tragedy." It's as if Springsteen
- were taking a long, hard look at himself, but the key lines are
- the ones that follow: "But it's a sad man, my friend, who's
- livin' in his own skin and can't stand the company."
- </p>
- <p> A measure of sadness suffuses these records. But there is
- also an urgent hope, a rush of spirit, a Leap of Faith, in
- which Springsteen combines sexual and sacramental imagery in a
- great erotic epiphany. And there is a new kind of sorcery too.
- Springsteen ends Lucky Town with the eerie spirituality of My
- Beautiful Reward, which is a unique combination of a Van
- Morrison religious song and a Native American peyote dream. It's
- a step into the mystic, a new direction. Springsteen's reborn
- and running again.
- </p>
-
- </body></article>
- </text>
-
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